Tuesday, November 8, 2011
Wednesday, October 26, 2011
Output
| Some of this, some of that... |
| evolve |
| Unwelcome. Surprise. |
| Maternal Appetite |
Chop wood, carry water.
Friday, October 21, 2011
Baggage
When I was little, oh about 5 to 8 years of age, I'm guessing, my mother scolded me with these words, "You're such a selfish little girl!" She only said it once; it wasn't a repetitious thing with her. I don't remember the context or what the reason was for her scolding me in the first place but I do remember the words because they made a mark so deep, they have haunted me since then. Mom didn't intend to wound me that deep. She probably just wanted me to stop fighting with my brother and being bossy with him just because I was a year older. Nevertheless, it still had an unintended impact. It happens all the time. Parents routinely do things or say things that they don't think twice about because they see it with eyes with a longer, mature perspective, but children process it differently and so throwaway lines and experiences have the potential to become baggage in addition to the major traumas of growing up.
My mother's words that day have become this sticky, heavy baggage that I've been trying to cast off for years, ever since I became re-aware of its impact as an adult. I was so shamed by being identified as selfish that I have spent my life trying to fix that perceived problem or character flaw. Intellectually, I know it's a sham and a false identifier of who I am but the baggage part of this long-ago experienced shame has a knotted grip on my psyche.
I eventually ran out of gas trying to be all good things to everyone else except me some time ago. Because I overcompensated for my belief that I was inherently selfish to the core, I routinely did things for other's needs, ignoring my own. It did bring me some sort of satisfaction. I was a good person. I was being good, not selfish. And giving can be a very rewarding experience—if it's done for the right reasons with the right frame of mind. In my case, however, it became all about everyone else and I began to resent that my needs weren't being met, even though I couldn't identify the feeling as resentment nor acknowledge that I had needs in the first place. And so I collapsed, emotionally. I essentially told everyone, including my husband eventually, to fuck off. Since then I've been trying to learn what my needs are and how to feel okay about taking care of myself and not feel guilty about it. I've learned and I practice boundaries.
But there is this nagging feeling that hangs like the smell of fried food in the air no matter what I'm doing, where I'm going, what I'm making. The feeling that says that no matter what I'm doing, I should be doing something else. More to the point, it manifests itself most strongly when I am doing something for myself. If I'm making pots, I should be cleaning the house and getting ready for dinner. If I'm getting ready for a show or sale, I should be visiting a friend. Going away for a vacation or even just wishing I could turns into feeling like I should be visiting my elderly parents. In fact, what's wrong with you, Cindi? You should be moving back to NY to live with them and take care of them. Yes, it gets that crazy, that I should sacrifice my identity to make someone else more comfortable.
It's nuts, I know. It only produces resentment and exhaustion within me. When I do help others out, I end up feeling less fulfilled about it, usually because I've neglected something about my own needs in order to be there for someone else. Intellectually, I know how this works and I know how I need to re-organize my thought pattern. Emotionally, it's much harder and frankly, discouraging that I'm still trying to sort this out at my age. However, I do try to be kind to myself with this knowledge: it took me years to develop this neurosis so I should expect to spend many years unravelling this mess. Better to at least be aware of this than wallow blindly in self-pity.
Sunday, October 9, 2011
Enlighten: Curatorial Christmas
| Stoneware Teacup in Pink and Yellow, $30 |
| Porcelain teacup with blue roots, $30 |
| Hot flashes? Porcelain cream and sugar set, Red Eruptions, $44 |
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"Artists are the least compensated members of the work force proportionate to the amount of joy they bring to human beings. Even in the face of difficulty, the inspiration of art, music, film, theatre or literary composition can make us feel that everything’s coming up roses."Amen to that! Frances has graciously included me and seven other talented artists — Nate Miller, Mike Coykendall, Patrick McNeese, Joe Lamirand, Kathleen Farago May, Paul Ramey and Hans Peter Jorgensen— in her inaugural newsletter. If you are interested in getting to know interesting artists and artisans, go to her site and add your email to her list by clicking on the link in the article to be a part of this newsletter!
http://francesfigart.wordpress.com
http://francesfigart.wordpress.com/coming-upart/
http://teahorsestudio.etsy.com
http://www.etsy.com/people/teahorsestudio/favorites
Wednesday, October 5, 2011
Wood fire in Waco
| Ready to burn, baby, burn |
We had a big bonfire in Waco this past weekend and managed to fire a few pots while we were at it! The bourry-box wood kiln comes courtesy Bill Whitt. Attending the Big Flame-Out was Bill Lennox, Matt Trimble, Kristal Gilkey of Alley Cat Pottery, Sara and Jeff of Tater Knob Pottery, Buddy Dobbins and various neighborhood friends who love to eat 16-20 hour venison chili, drink beer and wine and chomp down on some chocolatey brownies. Much stoking was done.
| Ready to be loaded |
| The wadding for the pots. If only it was pfeffernusse! |
| Use every spot! |
| Flames in the firebox |
| We crammed pots everywhere. |
| Crusty skull! |
| Mmmm...yummy... |
| Two of my teapots didn't do so bad but time to make more... |
| Warm colors |
| More booty from the kiln. Another firing later in the month. |
Tuesday, September 27, 2011
Fire
| Phoenix Kiln firebox, EKU Campus |
I have such a headache. It makes me cranky. I think it's this menopause thing. That plus the incessant inanity of the political landscape. I am consistently amazed at the inherent narcissism of people of a certain faith that they can see their "end times" just around the corner. In their lifetime. Because all of humanity has waited until they were alive to experience it. Just for them. And not for all those other generations before them that were dead certain that the end times were happening to them... and only them. Or... or... this could just be another election and next decade, we'll have to pay our bills again. Chop wood, carry water, people. It wouldn't be so bad except the media has a hard-on for the craziness because it gets ratings. If people can't tell the difference between a presidential debate and American Idol, maybe one network can siphon off some viewers from the other in all the confusion. When does Rick Perry join Dancing With The Stars?
Latest music offerings have been mostly 70's soul and R&B until this afternoon when I popped on the classical again. Sometimes, I listen to a station that's supposed to be a kind of yoga-type, meditative, new-agey music channel. It plays unobtrusive music in the background that isn't strictly classical and I can get into the flow of working. Helps with the focus. Most of the time, that is, but sometimes it just slides right into muzak and it takes me a few minutes to realize what I'm listening to. Usually the overwhelming thoughts of wanting to kill something alert me to this and I change the station. BAN THE PAN FLUTE. And please, enough with the sounds of waterfalls. Makes me want to pee all the time.
Current thoughts have been gravitating towards parasites, validation and meditation. Not sure what to make of this but I have been working on a small model of my inner eye model of my meditative state. Hrm. I'll leave it there.
Wednesday, September 21, 2011
Enlighten: Nathaniel Miller, Botanical Photography
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| Phalaenopsis Orchid, © Nathaniel Miller 2011 |
One of the things that inspires my work and informs it is the abundant nature around me. I remember several years ago when I rediscovered the joy of enjoying a flower: the color, the scent, the form. The cliché, "Stop and smell the roses" came floating to the forefront of my mind as I was soaking in seeing, really seeing, nature in front of me. When I go to my studio in the spring and early summer, I have these roses at the end of my walkway that are so pungent, so perfumed that when I close my eyes and breathe in, I can practically taste the scent in the back of my throat. In these moments, I know that material gadgets and things don't hold a candle to the environment we already inhabit—but we rarely take the time to become aware of it.
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| Yellow African Daisy, © Nathaniel Miller 2011 |
Nathaniel Miller's botanical photography captures that richness of experience for me. The use of macro photography replaces our eyes but also aids our ability to get right up to the subject. He pours you into the middle of the flower's petals or the connection between blooms. His framing immerses us in the richness and luminescence of color, cropping out any distractions. You can almost drink in the perfume off the screen or paper.
| Stargazer Lily pistil and stamen, © Nathaniel Miller 2011 |
My rediscovery of nature and my connection to it reaffirmed the fundamental message of life on the planet: we exist to reproduce. Nothing pares this down as well as the flower and it does so in such a beautiful package. We forget that the purpose of the flower is all about the reproduction and in parallel, we forget that about our own humanity. That simple realization is what keeps me coming back to issues of sexuality, maturity, relationships in the human experience in my own work and how, it seems, we often intellectually remove ourselves from our own basic nature. It seems Miller also has come to this epiphany and celebrates it with his lens. I think that's why I love Miller's images so much. In his compositions are great balance, beautiful detail, color, richness of floral beauty and inescapable sexuality. Awesome.
| Snapdragon Flower Buds, © Nathaniel Miller 2011 |
Miller uses a Canon Powershot SX IS5 with a macro lens for his images. He's been taking botanical images, starting with his love of gardening in his backyard, for about 10 years. You can learn more about Miller and view additional images or even order prints here on his blog. Miller has made some select images available on various items such as organic t-shirts, phone cases, laptops skins and more prints available for purchase at his Cafe Press site here. [All images on this post © Nathaniel Miller 2011]
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