Tuesday, November 8, 2011

Potterypalooza!

If you find yourself in Richmond, Kentucky, stop by Irvinton House Museum. Several of us area potters and ceramic artists are setting up in the bottom floor of this 19th century house to hawk our wares. Not only are these things hand made, they're hand made in the USA.

Wednesday, October 26, 2011

Output

Some of this, some of that...
Naughty Slit


     Some goings on here at the wee studio. Some of this will go into this weekend's wood-firing in Waco, some will go toward getting into an upcoming anagama firing at EKU if there is room. The sculptural work will be fired in the electric kiln later on with additional functional work.
evolve
     While some of my younger EKU colleagues are off at graduate school, I look at this time for me as my own "graduate" work. I see evolution and development, exploration and refinement.

Unwelcome. Surprise.
   Photographer Nathaniel Miller mentions in his interview with Frances Figart that he does not think of anything when he is photographing the moment. This statement got me thinking about my own process. I think I'll expand on this at a later time but it revolves around the zen process of creating.

Maternal Appetite
Chop wood, carry water.

Friday, October 21, 2011

Baggage


     When I was little, oh about 5 to 8 years of age, I'm guessing, my mother scolded me with these words, "You're such a selfish little girl!" She only said it once; it wasn't a repetitious thing with her. I don't remember the context or what the reason was for her scolding me in the first place but I do remember the words because they made a mark so deep, they have haunted me since then. Mom didn't intend to wound me that deep. She probably just wanted me to stop fighting with my brother and being bossy with him just because I was a year older. Nevertheless, it still had an unintended impact. It happens all the time. Parents routinely do things or say things that they don't think twice about because  they see it with eyes with a longer, mature perspective, but children process it differently and so throwaway lines and experiences have the potential to become baggage in addition to the major traumas of growing up.

     My mother's words that day have become this sticky, heavy baggage that I've been trying to cast off for years, ever since I became re-aware of its impact as an adult. I was so shamed by being identified as selfish that I have spent my life trying to fix that perceived problem or character flaw. Intellectually, I know it's a sham and a false identifier of who I am but the baggage part of this long-ago experienced shame has a knotted grip on my psyche.
     I eventually ran out of gas trying to be all good things to everyone else except me some time ago. Because I overcompensated for my belief that I was inherently selfish to the core, I routinely did things for other's needs, ignoring my own. It did bring me some sort of satisfaction. I was a good person. I was being good, not selfish. And giving can be a very rewarding experience—if it's done for the right reasons with the right frame of mind. In my case, however, it became all about everyone else and I began to resent that my needs weren't being met, even though I couldn't identify the feeling as resentment nor acknowledge that I had needs in the first place. And so I collapsed, emotionally. I essentially told everyone, including my husband eventually, to fuck off. Since then I've been trying to learn what my needs are and how to feel okay about taking care of myself and not feel guilty about it. I've learned and I practice boundaries.

     But there is this nagging feeling that hangs like the smell of fried food in the air no matter what I'm doing, where I'm going, what I'm making. The feeling that says that no matter what I'm doing, I should be doing something else. More to the point, it manifests itself most strongly when I am doing something for myself. If I'm making pots, I should be cleaning the house and getting ready for dinner. If I'm getting ready for a show or sale, I should be visiting a friend. Going away for a vacation or even just wishing I could turns into feeling like I should be visiting my elderly parents. In fact, what's wrong with you, Cindi? You should be moving back to NY to live with them and take care of them. Yes, it gets that crazy, that I should sacrifice my identity to make someone else more comfortable.

     It's nuts, I know. It only produces resentment and exhaustion within me.  When I do help others out, I end up feeling less fulfilled about it, usually because I've neglected something about my own needs in order to be there for someone else. Intellectually, I know how this works and I know how I need to re-organize my thought pattern. Emotionally, it's much harder and frankly, discouraging that I'm still trying to sort this out at my age. However, I do try to be kind to myself with this knowledge: it took me years to develop this neurosis so I should expect to spend many years unravelling this mess. Better to at least be aware of this than wallow blindly in self-pity.

Sunday, October 9, 2011

Enlighten: Curatorial Christmas

Stoneware Teacup in Pink and Yellow, $30
     Summer is over but we've been enjoying an Indian Summer here in Kentucky. As we prep for the colder weather, I'm prepping for upcoming wood firings. I'll be uploading as much of my wood-fired work as possible on my Etsy site after the firings so check out the shop over the next few weeks for updated items as you start to peruse the internet for your holiday shopping.

Porcelain teacup with blue roots, $30
     However, the variety and simple numbers of handmade items out there is overwhelming. There are many handmade portals on the internet but even searching on Etsy can be mind-numbing separating the cool, worthwhile stuff from the crap. I offer a couple of suggestions. My first is to let me (and others) curate for you! Etsy sellers (and buyers) have a link on their profiles called "Favorites." If you click on that link and the person has enabled it to public viewing, you can see items that they have already found on Etsy that they think are worthwhile and interesting. So instead of browsing through thousands and thousands of random items, you can narrow your browsing choices to people with similar taste to yours.

Hot flashes? Porcelain cream
and sugar set, Red Eruptions, $44
 
Feel free to start at my shop! Be bold and buy that cup you've been wanting to give to your best friend, or to yourself! Then hit my "favorites" button and peruse items and whole shops that I think have some great hand made items.

Add your email to Frances' mailing list for regular updates!
     Maybe you want to get more involved, more in-depth. Maybe more than just handmade items, you're looking for some interesting art, interesting sounds, interesting ideas — not just now but at any time when you need to massage your creative appetite. Then let Frances Figart, curate for you! Frances has started a new email newsletter called "Coming UpArt". Frances, a writer who has focused mainly on sustainability and eco-tourism, describes the impetus for her venture:
"Artists are the least compensated members of the work force proportionate to the amount of joy they bring to human beings. Even in the face of difficulty, the inspiration of art, music, film, theatre or literary composition can make us feel that everything’s coming up roses."
 Amen to that! Frances has graciously included me and seven other talented artists — Nate Miller, Mike Coykendall, Patrick McNeese, Joe Lamirand, Kathleen Farago May, Paul Ramey and Hans Peter Jorgensen— in her inaugural newsletter. If you are interested in getting to know interesting artists and artisans, go to her site and add your email to her list by clicking on the link in the article to be a part of this newsletter!

http://francesfigart.wordpress.com
http://francesfigart.wordpress.com/coming-upart/
http://teahorsestudio.etsy.com
http://www.etsy.com/people/teahorsestudio/favorites

Wednesday, October 5, 2011

Wood fire in Waco

Ready to burn, baby, burn

     We had a big bonfire in Waco this past weekend and managed to fire a few pots while we were at it! The bourry-box wood kiln comes courtesy Bill Whitt. Attending the Big Flame-Out was Bill Lennox, Matt Trimble, Kristal Gilkey of Alley Cat Pottery, Sara and Jeff of Tater Knob Pottery, Buddy Dobbins and various neighborhood friends who love to eat 16-20 hour venison chili, drink beer and wine and  chomp down on some chocolatey brownies. Much stoking was done.
Ready to be loaded
The wadding for the pots. If only it was pfeffernusse!
     The glazing and loading began on Wednesday through to Friday afternoon. The kiln started on Friday evening around 8 pm and we reached cone 10 on Saturday evening, around 11:30pm. The bourry box set-up allows for a more leisurely stoking pattern, in my opinion. I find that the front stoking of the anagama and Phoenix kilns at EKU to be fussier and more involved. Bill's kiln box opens from the top, you throw in a few logs, close the lid, sit and wait, drink a beer, note the temp change, lather, rinse, repeat. During my shift on Saturday, we started at 1900°F and steadily climbed to nearly 2200°F with no stall. When the shift change happened, they were able to climb to cone 9 to cone 10 and do some heavy raking to get plenty of ash on the pots.
Use every spot!

Flames in the firebox
     However, upon opening the kiln, it was a little bit of a hit or miss. Although we had plenty of great looking pots, we also had quite a few dry pots. We think our error was in stoking to cone 10 and not taking it up to cone 11 or higher. We think that when the kiln was shut up, ash was still circulating and dropping on the pots when the temperature was already dropping, hence, no fluxing and some dry pots. We're doing another wood firing, this time with a little bit of salt added. We'll adjust the firing schedule and push for cone 11-12 this time.
We crammed pots everywhere.
Crusty skull!
     In the mean time, these are some of the pots that came out of the kiln. Some great shinos, some great flashing. We had way more pots than room in the kiln for this firing. More of my pots did not make it in than did. I'm still working on teapot forms, experimenting and honing my skills at attaching the pieces. My porcelain pot came out way too dry but more importantly, very warped. Back to the drawing board on that front. Next firing I hope to use a Highwater Phoenix clay, a Standard 153 and, oh, why not, Helios porcelain again.
Mmmm...yummy...
Two of my teapots didn't do so bad but time to make more...
Warm colors
More booty from the kiln. Another firing later in the month.

Tuesday, September 27, 2011

Fire

Phoenix Kiln firebox, EKU Campus
     Okay, I'm misrepresenting a bit. This picture is of the Phoenix kiln at EKU. The wood firing I'll be participating in will be in Waco at a friend's place but I don't have big fiery pictures of his kiln. Yet. Bill's kiln is a Bourry box design. Low-key firing that allows for less stoking, more beer and wine coolers. I have about a dozen pitchers, teapots, cups, mugs, soap dishes and pendants (yes, trying once again!) for this firing. I had tried to play with some pendant designs in porcelain but I thought they came out like shit in the last electric fire. So I've changed direction a little bit. We'll see what happens. I think I'm not cut out for the small fiddly bit stuff. Should the shelves collapse during this firing or some other catastrophic thing occur, I've been told that there will be another wood firing at this same location some weeks from now. As such, I am still making pots. Must take advantage of space in wood firings when you can so that means I'll have many warm, earthy-toned pots for the holiday season. I hope to do some more electric kiln work. We'll see how well I can get my shit together. Oh, and did I mention that I'm still working on sculptures????
   
     I have such a headache. It makes me cranky. I think it's this menopause thing. That plus the incessant inanity of the political landscape. I am consistently amazed at the inherent narcissism of people of a certain faith that they can see their "end times" just around the corner. In their lifetime. Because all of humanity has waited until they were alive to experience it. Just for them. And not for all those other generations before them that were dead certain that the end times were happening to them... and only them. Or... or... this could just be another election and next decade, we'll have to pay our bills again. Chop wood, carry water, people. It wouldn't be so bad except the media has a hard-on for the craziness because it gets ratings. If people can't tell the difference between a presidential debate and American Idol, maybe one network can siphon off some viewers from the other in all the confusion. When does Rick Perry join Dancing With The Stars?

     Latest music offerings have been mostly 70's soul and R&B until this afternoon when I popped on the classical again. Sometimes, I listen to a station that's supposed to be a kind of yoga-type, meditative, new-agey music channel. It plays unobtrusive music in the background that isn't strictly classical and I can get into the flow of working. Helps with the focus. Most of the time, that is, but sometimes it just slides right into muzak and it takes me a few minutes to realize what I'm listening to. Usually the overwhelming thoughts of wanting to kill something alert me to this and I change the station. BAN THE PAN FLUTE. And please, enough with the sounds of waterfalls. Makes me want to pee all the time.
   
     Current thoughts have been gravitating towards parasites, validation and meditation. Not sure what to make of this but I have been working on a small model of my inner eye model of my meditative state. Hrm. I'll leave it there.

Wednesday, September 21, 2011

Enlighten: Nathaniel Miller, Botanical Photography


Phalaenopsis Orchid, © Nathaniel Miller 2011
     One of the things that inspires my work and informs it is the abundant nature around me. I remember several years ago when I rediscovered the joy of enjoying a flower: the color, the scent, the form. The cliché, "Stop and smell the roses" came floating to the forefront of my mind as I was soaking in seeing, really seeing, nature in front of me. When I go to my studio in the spring and early summer, I have these roses at the end of my walkway that are so pungent, so perfumed that when I close my eyes and breathe in, I can practically taste the scent in the back of my throat. In these moments, I know that material gadgets and things don't hold a candle to the environment we already inhabit—but we rarely take the time to become aware of it.

Yellow African Daisy, © Nathaniel Miller 2011
     Nathaniel Miller's botanical photography captures that richness of experience for me. The use of macro photography replaces our eyes but also aids our ability to get right up to the subject. He pours you into the middle of the flower's petals or the connection between blooms. His framing immerses us in the richness and luminescence of color, cropping out any distractions. You can almost drink in the perfume off the screen or paper.

Stargazer Lily pistil and stamen,  © Nathaniel Miller 2011
     My rediscovery of nature and my connection to it reaffirmed the fundamental message of life on the planet: we exist to reproduce. Nothing pares this down as well as the flower and it does so in such a beautiful package. We forget that the purpose of the flower is all about the reproduction and in parallel, we forget that about our own humanity. That simple realization is what keeps me coming back to issues of sexuality, maturity, relationships in the human experience in my own work and how, it seems, we often intellectually remove ourselves from our own basic nature. It seems Miller also has come to this epiphany and celebrates it with his lens. I think that's why I love Miller's images so much. In his compositions are great balance, beautiful detail, color, richness of floral beauty and inescapable sexuality. Awesome.

Snapdragon Flower Buds,  © Nathaniel Miller 2011
     Miller uses a Canon Powershot SX IS5 with a macro lens for his images. He's been taking botanical images, starting with his love of gardening in his backyard, for about 10 years. You can learn more about Miller and view additional images or even order prints here on his blog. Miller has made some select images available on various items such as organic t-shirts, phone cases, laptops skins and more prints available for purchase at his Cafe Press site here. [All images on this post © Nathaniel Miller 2011]